Behringer CX2310V2 High-Precision Stereo 2-Way/Mono 3-Way Crossover Subwoofer

The CX2310 stereo 2-way/mono 3-way crossover provides amazing-accurate audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. Additionally, the CX2310 features an independently-adjustable Subwoofer Output, effectively providing an extra low-frequency band a control range from 10 - 235 Hz. By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX2310 is able to guarantee surgically-precise frequency selection with incredibly-low thermal noise. Put simply, the easy-to-use SUPER-X PRO CX2310 is one of the best-sounding crossovers in its class!

When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossover's accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection - plus Mute and Phase Invert switches, making troubleshooting even a large system - virtually effortless!

The CX2310 provides two modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way mono, for Lows, Mids and Highs. In either mode, there is an additional output provided for a mono Subwoofer, with its own Frequency and Level controls. This extra feature effectively turns the CX2310 into a stereo 2-way + mono 1-way, or a mono 4-way frequency crossover. The Subwoofer Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional. For your convenience, the CX2310's front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected - and which controls are currently active.

what's a Crossover?
Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you're bench-pressing your limit!)

That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover's function to divide these tasks between the various amplifiers and transducers.

Features:

• Professional stereo 2-way/mono 3-way crossover featuring state-of-the-art Linkwitz-Riley filters with 24 dB/octave
• Additional subwoofer output with independent Frequency control
• Absolutely flat summed amplitude response, zero phase difference
• Individual output Gain controls for all bands
• Individual output Mute switches for easy band adjustment
• Individual Phase reverse switches for instant phase correction
• Switchable 25 Hz Low cut filter on each input for low-frequency driver protection
• Servo-balanced and gold-plated XLR connectors for all inputs and outputs
• Ultra-high precision potentiometers for ultimate accuracy and repeatability
• Illuminated switches for secure operation in dark stage environments
• Internal switch-mode power supply (100 - 240 V~) for noise-free audio and low power consumption
• 3-Year Warranty Program
• Designed and engineered in Germany

Specifications:

• Audio Inputs
• Type: XLR, electronically servo-balanced, HF fi ltered
• Impedance: 52 kO balanced, 26 kO unbalanced
• Max. input level: +22 dBu, balanced or unbalanced
• CMRR: Typically >60 dB @ 1 kHz
  
  Audio Outputs
• Type: XLR, electronically servo-balanced, HF fi ltered
• Impedance:
• Max. output level: +21 dBu, balanced or unbalanced
  
  Performance
• Bandwidth: 20 Hz to 20 kHz, +0/- 0.5 dB
• Frequency response: 10 Hz to 60 kHz, +0/- 3 dB
• Signal to noise: Ref: +4 dBu, 20 Hz to 20 kHz, unweighted
• Low output Stereo-Mode: >97 dB (>97 dB Mono)
• Mid output Stereo-Mode: >93 db (>98 dB Mono)
• High output Stereo-Mode: >95 dB (>94 dB Mono)
• Subwoofer output: >97 dB
• Interchannel crosstalk:
  Crossover
• Filter-Type: Linkwitz-Riley, 24 dB/octave, state-variable
• Mono mode X-Over frequencies: x1 x10
• Low/High: 44 Hz to 930 Hz 440 Hz to 9.3 kHz
• Low/Mid: 44 Hz to 930 Hz 440 Hz to 9.3 kHz
• Mid/High: 44 Hz to 930 Hz 440 Hz to 9.3 kHz
• Stereo mode X-Over frequencies: x1 x10
• Low / high: 44 Hz to 930 Hz 440 Hz to 9.3 kHz
• Subwoofer X-Over frequencies: 10 Hz to 215 Hz (-3 dB)
• Low cut fi lter frequency: 25 Hz (-3 dB) 12 dB per octave
  
  Physical
• PSwitch-mode autorange power supply: 100-240 V ~50/60 Hz
• Power consumption: 10 W
• Mains connection: Standard IEC connector
• Dimensions (H x W x D): 1.7" x 19" x 5.8"
• Weight: 3.5 lbs